Monday 9 February 2015

Ranting about writers in films



Apologies to those of you at Saturday’s Birmingham Chapter meeting – you’ve already heard this. However, I can’t hold this in any longer. I want to share something on my blog that’s bothered me ever since I started writing seriously. For years I’ve wondered if I was the only person who felt this way, but the reaction from my friends on Saturday assured me that I’m not alone in this*.

The thing that’s bothered me is this—the way writers are depicted in films/tv/books.
It always goes something like this. One day, the hero or heroine (let’s call it heroine for the sake of argument) suddenly makes an announcement. ‘This would make a great story,’ she says. ‘I’m going to write a book about it.’

Here comes the first bit that annoys me. She gets out a typewriter. I mean, seriously? Who writes with a typewriter these days? And it’s not even an electric typewriter. It’s one of those ancient things that you have to press a lever to start a new line and shatters fingernails at twenty paces. Now, I’m not in the first flush of youth, but I’ve always used a computer to do my writing. And the first things I wrote were on computers that needed two floppy disks (remember those?) to boot up, back in the days when we thought 128kb was impressive.

Who would do this?
As if that wasn’t bad enough, our heroine doesn’t sit at a desk, on an ergonomically designed chair. Oh, no. She does something endearingly kooky like sit on the floor or perch cross-legged on a window seat. Despite the fact that her back must be killing her, she’s lost all feeling in her legs and she’s got no fingernails left, she then progresses to the part that winds me up even more than the whole typewriter thing. 

She starts typing, and we hear what she’s writing in voiceover. ‘Chapter One,’ she says. ‘If only I had known, that day on the beach, that nothing would ever be the same again…’ Only something much more deep and meaningful than that, but that was the best I could do off the top of my head. And she doesn’t stop there. The words pour out of her. She continues to write for hours, days, with no pauses or hesitation. Not even any Tippex. We see her feverishly ripping page after page of completed work from the typewriter and adding it to the growing stack of papers beside her.

How does she do it? Why can’t I write thousands of publisher-ready words at the drop of a hat? In my head my story might be the greatest told since Shakespeare hung up his quill, but when I write it down, all that comes out is something that reads like Janet and John Book 2. But I try not to let it get me down, because I know that if I really sweat over it, edit, edit and edit again, I might eventually end up with something I can bear allowing a crit partner to read. But does this new writer do any editing? Of course not. All the words came out perfectly. So she ties up the manuscript with a cute red ribbon and sends it off to a publisher. Who rings up after a tense 3-day wait, offering a huge advance that will end the heroine’s financial problems for ever.

Now you might be reading this, thinking, ‘Yes, but all occupations are misrepresented in films and on tv. Just how many maverick detectives are there really? And does anyone actually know a real hospital doctor who can spend all day at the bedside of just one patient?’ And you’d be right—I’m a teacher and I can’t bear to watch school dramas on tv. But this is where we come to the thing that really makes me froth at the mouth.

Because all of these scenarios, where we see how easy it is to write a book and get published, were written by writers. Why? Why would they want to make their own profession look laughably easy?
I’ve come to this conclusion: it’s a conspiracy. The writers who write those scenes want people to think it is that easy. Because then when new writers try to write a book and get stuck when they can’t think of a show-stopping opening line, they’ll give up, thinking they’re not writers after all, thus leaving more space on the publishers’ books for those who know better.

What do you think? Do you get as wound up as me about it? Or are you part of the conspiracy? And if you really do find it that easy to write then please don’t tell me. I don’t want to know!



*However, their reaction when I came out and admitted that actually, I couldn’t stand wine, was less than compassionate.

Monday 2 February 2015

My writing process (or lack of)



Whilst I'm waiting to hear back from HMB about the revised ms I sent back in December, I’m doing the  only thing I can do, which is get on with my next story. Reading about other people’s writing process has got me thinking about my own and I’ve decided that I’m in awe of writers who are able to plan their novel down to the last detail before they begin their first draft.

Whenever I start a new project I decide that this time I’ll have the plot and emotional arc of my hero and heroine straight before I even begin to think about beginning the first chapter. So I do all the things recommended by all the workshops I’ve attended and writing guides I’ve read. I fill in character questionnaires; I work out my hero and heroine’s goals, motivations and conflicts; I try to imagine how they would react in certain situations. However, the moment I start writing, most of that flies out of the window. My problem is that I only really ‘get’ my hero and heroine when I throw them together and get them talking to each other, interacting.

Not even bright stationery can improve my planning
At first I thought I just wasn’t taking enough time to plan, and maybe that’s true—I accept that I’m impatient and when I get an idea I just can’t wait to get started. However, I also think there comes a time that I just have to accept this is how I work.

However, I do have a system, although any plotter worth their salt would sneer to hear it termed that. What I do is this. I always start out with a scenario—usually the moment when the hero and heroine meet. For example, the first image that came to me when I wrote The Welsh King’s Spy was the moment my heroine pulled back a beggar’s hood and found it was the hero in disguise. Everything else started from that point. From there I fill in the character sheets and the most important thing I get from these is each character’s internal conflicts. From the conflicts I work out what the Black Moment is going to be. I do try to do a story outline but I’ve never yet stuck to one!

Then I start writing. However, the most helpful trick I’ve found is to draft out each scene before I write it. I do this longhand and for some strange reason I find handwriting it rather than typing it straight onto my computer frees up my imagination. It’s no more than rough notes, but all of my best ideas have formed at this stage. Then when I write that scene onto the computer I find the words flow and I get through the scene much faster than if I’d tried to type it out from scratch.

That’s what works for me. What about you? Where do you stand on the plotter/pantser spectrum?